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神与色的长廊—67—Albert Gleizes  

2014-06-27 07:10:07|  分类: 神与色的长廊 |  标签: |举报 |字号 订阅

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神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
 
神与色的长廊—67—Albert Gleizes - 菩提醉的绘画艺术博客 - 菩提醉BODHIINTOXICATION
  Albert Gleizes (8 December 1881 – 23 June 1953), was a French painter. Born Albert Léon Gleizes and raised in Paris, he was the son of a fabric designer who ran a large industrial design workshop. He was also the nephew of Léon Comerre, a successful portrait painter who won the 1875 Prix de Rome. The young Albert Gleizes did not like school and often skipped classes to idle away the time writing poetry and wandering through the nearby Montmartre cemetery. Finally, after completing his secondary schooling, Gleizes spent four years in the French army then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled La Seine à Asnières was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger and Henri Le Fauconnier. In 1907 Gleizes and some of his friends pursued the idea of creating the Abbaye de Créteil, a self-supporting community of artists which would allow them to develop their art free of any commercial concerns. For nearly a year, at a large house in Créteil, Gleizes along with other painters, poets, musicians and writers, gathered to create. A lack of income forced them to give up their cherished Abbaye de Créteil in early 1908 and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris. Gleizes' evolving cubism saw him exhibit at the Salon des Indépendants in Paris in 1910 then collaborate with Jean Metzinger to produce a theoretical essay about cubism that was published in 1912. In the fall of that year, he and Metzinger joined the Puteaux Group led by Jacques Villon and his brother Marcel Duchamp. In February 1913, Gleizes and other artists introduced the new style of painting to an American audience at the Armory Show in New York City. With the outbreak of World War I, Albert Gleizes re-enlisted in the French army. He was put in charge of organizing
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